The group has drawn comparisons to the likes of Dälek, Death Grips, My Bloody Valentine,[4] Tim Hecker and Shabazz Palaces.[17] The Guardian described their sound as "the sort of shrill thrills you imagine could function as incidental soundtrack music for a documentary about abattoirs or might conceivably be the work of a young band intent on twisting industrial metal into brutal new shapes. With rapping on top."[4] Rolling Stone called them "[n]imble-tongued, beat-fractured L.A. hip-hop spilled over the abrasive crunches, squeals, clangs, slurps, and static of experimental musique concrète."[18] As part of their experimental style, the band adhere to certain stylistic limitations. Their instrumentation is derived from real world samples (e.g. using recordings of bottles being hit or bricks breaking) instead of traditional instruments. Similarly, Diggs writes his rap in second or third person, all 'I, me' language is off limits.[19] This restriction is not extended to guests and collaborators.